Launch offer — 40% off ATENVAR LAUNCH40

ICARENGINE presents

ATENVAR

The Gravity Synthesizer

Six orbs. One sun.
A sampler that locks to your DAW.
Every sound falls into the well.

£99 Launch offer — 40% off with LAUNCH40

ATENVAR GLOBAL page: the orbital visualiser in Black Hole mode, six orbs spiralling into the sun ATENVAR VOICE page: sub, two oscillators, twin filters, gravity, envelopes, LFOs and matrix ATENVAR EFFECTS page: FX master strip and a rack of five modules with orb sources ATENVAR PLAY page: scene morph pad, macro orbit pad and snapshots

Real interface capture — build 1.0 · Apple Silicon

  • 1,103factory presets
  • 6 + 1orbs and a sun
  • 21FX modules
  • 3sample warp engines
  • 4gravity modes

System Overview

One instrument. Everything in orbit.

ATENVAR is built around a physical idea: a sun, six orbs circling it, and a gravity well the sound falls into. Anything routed to an orb comes closer and goes further with it. Everything below hangs off that system.

01

Orbital System

Six orbs circle the sun. Each has its own distance, speed and role; each is a modulation source that breathes with the orbit.

02

Four Gravity Modes

Gravity Well, Black Hole, Singularity and Torus. Amount, depth, intensity, target and spiral shape the pull — and the sound follows the picture.

03

Two Oscillators, Four Engines

OSC A and OSC B each run procedural waveforms, wavetables, additive or a sample — with unison, warp, shape and per-osc effects like Fold, Reese, Formant and FM.

04

Sampler with Tempo Lock

Drop a loop in and it locks to your DAW tempo. Play it on any key — pitch changes, tempo doesn't. CLEAN or GRAIN playback, slices, and one-click FIT.

05

Three Warp Engines

GRAIN, VOCODE and S1000. Phase-aligned granular, a clean phase vocoder, or the deliberately buzzy classic-sampler stretch.

06

Twin Filters

F1 and F2 with per-source routing — feed them OSC A, OSC B, noise, sub or the sampler independently. Morph, key-track, drive and a Resonator type.

07

Envelopes & LFOs

AMP, FILTER, MOD, NOISE and PITCH envelopes with curves, hold, loop and time-scale; per-osc envelopes in the advanced view; four LFOs with FIT and sync.

08

Modulation Matrix

Orbits, gravity, LFOs, envelopes, events and the mod wheel to any destination — including wavetable position, reverb mix and orbital expansion.

09

Step Sequencer & Arp

Sixteen steps, four patterns with chain, scale lock, slide and dive steps, mutate and gravity. An arpeggiator with an ACID TB accent section and style save.

10

FX Rack — 21 Modules

Distort, Chorus, Delay, Reverb, Atmos, Wavefold, Comb, Pump, Granular, Spectral, Resonate and more — every module with its own orb sources.

11

Sun Forge & Sun Dist

The sun is a sound source too. Sun Forge shapes it; SUN DIST is a heat macro — warm lift, analogue grit, bright drive, then solar flare.

12

PLAY Page

Morph between four scenes on an XY pad, throw the four macros into orbit with chaos, record gestures to snapshots and play it all live.

The Four Pages

Voice. Effects. Global. Play.

Everything lives on four pages across the top of the window. No hidden menus — the whole instrument is on screen.

Page 01

VOICE — the synth

Sub, noise, two oscillators, twin filters, the gravity panel, five envelopes, four LFOs and the matrix, all on one screen. The keyboard strip along the bottom opens the arpeggiator or the step sequencer in place of the envelope block.

  • Per-oscillator effect buttons: RING, PUMP, FOLD, DRIVE, GNARL on A; REESE, FORMANT, GRAIN, COMB, FM on B
  • Gravity panel with M1–M4 macros, SCENE LIVE and MACRO LIVE
  • PITCH / MOD wheels, GLIDE, MONO, SYNC and ORBIT LINK

Page 02

EFFECTS — the rack

An FX MASTER strip on top — wet, output, the SUN engine with its own mix and character, motion controls, a randomizer and the gravity mode — then a vertical rack of modules pulled from a 21-strong catalog. Each module carries its own ORB SOURCES row, so the orbs can play the effects.

  • Randomizer presets: RND, BASS, LUSH, PADS, RIDES, FX PARAMS, BLEND ALL
  • Orbit time 1×, 2×, 4× with stereo motion and SYNC
  • Gravity mode selectable from the rack: ORBIT, BLACK HOLE, SINGULARITY, TORUS, REVERSE, SCENES

Page 03

GLOBAL — the observatory

The visualiser fills the middle of the page: the sun, six orbs on their spiral arms, and the well they fall into. Around it sit space texture, motion, events and perform controls on the left; the gravity modes and WELL SHAPE knobs on the right; and the orb strip along the bottom with a lane, a DIST knob and a scene slot for every orb.

  • Named scenes — NIGHT TUNNEL, VELVET RAIN, BURN ORBIT, VOID PRESSURE, CHROME HAZE, CORE PULSE — plus SCENE MORPH and DNA
  • Constellations: TRIANGLE, SPIRAL, CROSS, SWARM, CROWN, and three save slots
  • SUN FORGE, PUMP, ORB ARP and FEED above the visualiser

Page 04

PLAY — the performance

Two big pads. The left one morphs between four scenes — drag the sun toward NIGHT TUNNEL or VOID PRESSURE and the patch follows. The right one puts the four macros into orbit around a chaos control. Snapshots S1–S4, REC, DRAW, one-bar loops and ROUTES sit beside them with a full-width keyboard underneath.

  • Scene morph with PULL, FOLLOW and per-corner scene assignment
  • Macro orbit with CHAOS, ORBIT SIZE and PAD BLEND
  • SCENE LIVE and MACRO LIVE for hands-on modulation

Gravity

Sound married to the picture

The visualiser isn't decoration. Orbs ride their spiral arms exactly as deep as their DIST knobs say, the well tightens as gravity rises, and what you hear is what you see.

Gravity Well

The default. Orbs circle on flat rings and their tethers to the sun swell as they come close. Wide, musical movement.

Black Hole

The rings become a funnel. Orbs spiral inward, the sound compresses and darkens as they fall, and events fire on the way down.

Singularity

Everything collapses toward one point. Tight, intense, nearly monophonic motion for risers, drops and stabs.

Torus Mode

Orbs loop through a ring rather than around a centre — cyclic, breathing modulation that never quite settles.

Gravity panel

Seven knobs that bend the field

AMOUNT, DEPTH, CENTER PULL, INTENSITY, TARGET, SPIRAL and ORBIT TIME live on the VOICE page beside the four macros. Underneath, the seven-cell strip — SUN then O1 to O6 — shows every orb's colour and number; the same strip repeats on the EFFECTS and GLOBAL pages, so an orb is always in the same column.

  • AUDIO, WARP AUDIO and CORONA AUDIO let the field itself become a sound
  • MOTION, SCENES, LANES, LIFE and CONST chips switch what the strip controls
  • Every gravity knob has a lock dot — right-click to pin it through preset changes

Sun Dist New

A heat macro on the sun

SUN DIST is one knob that moves the whole patch toward the sun. Low values are a warm lift; the middle zone brings analogue grit as the filter opens and drives; near the top a presence shelf and stereo width kick in; at the very top a solar flare — a slow random drift with a soft squeeze on the master bus. At zero it is fully bypassed.

  • Master-bus heat stage plus per-voice filter cutoff, drive and width pushes
  • Continuous — no steps, no clicks, sweeps live under automation
  • Sits in the SUN cell of the DIST row with its own lock dot
GLOBAL left column: corona, warp, Hawking, shift, Doppler, flyby, tidal, flutter, strum, eclipse, sparks, trails, flare and capture Space texture · Motion · Events · Perform GLOBAL right column: gravity mode buttons and the twelve well-shape knobs Gravity modes · Well shape

The observatory controls

Left: CORONA, WARP and HAWKING texture; SHIFT, DOPPLER, FLYBY, ORB DOPPLER, TIDAL and FLUTTER motion; STRUM, ECLIPSE, SPARKS and TRAILS events; FLARE, CAPTURE and FOLLOW for performing.

Right: the four gravity modes, SCENE LIVE and MACRO LIVE, SPECTRAL / SCENES / MOTION views, and twelve WELL SHAPE knobs from AMOUNT and DEPTH down to SHELF, DILATE and CLIMB, with SYNC, ORBIT TIME and BOUNCE.

Sampler New

Drop a loop. It just fits.

Drag an audio file onto the sample editor — or press LOAD — and ATENVAR locks it to your DAW tempo, follows tempo changes, and keeps it in time whatever key you play.

Tempo lock

Auto-detects bars and beats on load, shows the DAW tempo large behind the waveform and says SAMPLE MATCHES when it lands. Right-click LOCK to set 1–32 bars or 1–6 beats by hand if a 174 BPM break lands in a 120 BPM song.

Key changes pitch, not tempo

On a locked sample, playing up an octave doubles the pitch and leaves the groove exactly where it was. Unlock it and you get the classic vari-speed behaviour back.

Three warp engines

GRAIN — phase-aligned granular, transposition doesn't shift the carrier. VOCODE — a 1024-point phase vocoder, clean on pitched material. S1000 — 12 ms cycles and a 25% crossfade: the buzz and flutter of the old classics, on purpose.

CLEAN or GRAIN

A loaded sample starts in CLEAN — a plain head that plays the file straight. Flip the mint-and-violet button beside SAMPLE to GRAIN for a cloud with POS, DENS, SIZE and SCATTER.

FIT and the edit recipe

Time-stretch a locked loop and it auto-fits back to its bars in the same edit — one undo. FIT does the same on demand. Every edit is stored as a recipe with the preset, so a patch replays identically.

Classic buttons

CROP, REVERSE, NORMALIZE, fades, SMOOTH and SLICE with numbered slices at every zoom; 12-BIT, 26K, BOOMBAP, S1000 ST, RING and SEQ WARP for the old-school character in one press.

Sound Sources

Two oscillators, a sub and noise

OSC A · OSC B

Pick an engine per oscillator

PROC gives you procedural waves — Saw, Super Saw, Dirty Saw and the rest — with an EDGE control. WT is wavetable with a BANK MIX. ADD is additive with its own ADD MIX. SMP loads the sampler into the oscillator slot. Under every engine: UNISON, DETUNE, SHAPE, WARP, PHASE and RAND, with the live waveform drawn above.

  • Per-osc FILTER routing switch and a five-button effect row
  • OSC A: RING, PUMP, FOLD, DRIVE, GNARL · OSC B: REESE, FORMANT, GRAIN, COMB, FM
  • OCT, SEM and FIN readouts under the scope
OSC A panel OSC B panel

SUB · NOISE · FILTER

Weight, air, and two filters to shape it

The sub has its own waveform, OCT and SEMI, LEVEL, DRIVE, PHASE, PAN and HARM — and a MONO switch for club-tight low end. Noise brings LEVEL, MIX, COLOR and PAN with an advanced view. Both feed F1 and F2, which each take any mix of A, B, N, S, SP and G sources.

  • Filter types from Low Pass to Resonator, with MORPH between two shapes
  • CUTOFF, RES, FILTER D, Key Trac, MRF and 24 dB slope switch
  • Live curve with the resonance peak drawn on it
SUB and NOISE panels Filter panel Pitch and mod wheel panel

Modulation

Envelopes, LFOs and the matrix

Envelopes

Seven envelopes, drawn not typed

AMP, FILTER, MOD, NOISE and PITCH on the front panel, OSC A and OSC B in the advanced view. Each is AHDSR with a curve knob per stage, NORM / 1-SHOT / LOOP modes, a TIME SCALE with 1×, 2× and 4× buttons, a GRAVITY amount, VEL and KEY tracking, and SYNC to tempo. Drag the points on the display or turn the knobs — the readouts show the real times.

LFOs · Matrix

Four LFOs and a matrix that scrolls

Each LFO has a shape menu, a FIT button that snaps its cycle to the note, RATE, DEPTH, FADE and PHASE, tempo divisions from 1/1 to 1/8 and triplets, LINK and TRIG. The matrix lists source → destination rows with a bipolar depth slider and a live meter — LFO 1 to OSC A WT POS, GRAVITY to REVERB MIX, EVENT to STEREO COLLAPSE, ORBIT DIST to ORBITAL EXPANSION.

  • Mod wheel does vibrato by default; any matrix route takes over when set
  • Shift-drag a MOD tab onto a knob to route it — the target glows while armed
LFO bank Modulation matrix

Sequencing

Step sequencer and arpeggiator

Step sequencer

Sixteen steps, four patterns, one chain

Draw pitch per step, lock to a scale, set the rate and gate, then mutate. Patterns A–D chain into longer phrases; SLIDE steps glide, DIVE steps drop. The whole thing is tempo-synced to your DAW and stores with the preset. Per-step lanes let you sequence more than pitch.

  • STEPS, GATE, SWING, MUTATE and GRAVITY knobs
  • RND, CLR, pattern save and load, multi-select and undo
  • Over 100 sequencer presets in the Drum & Bass Sequencers bank

Arpeggiator · Glide

Arp with an acid section

Up, down and pattern modes, 1/32 to bar rates, octave range, velocity source, gate and swing — plus an ACID TB block with ACCENT, DECAY, SQUELCH and DRIVE for 303-style lines. Save styles and recall them. Next to it, the portamento panel: constant time or rate, note priority, retrigger mode and LEGATO.

Effects

Twenty-one modules. Orbs on every one.

Press + and pick from the catalog. Each module drops into the rack with seven knobs and its own ORB SOURCES row, so orb 3 can duck the delay while orb 5 opens the reverb.

The catalog

  • Distort
  • Chorus
  • Flang
  • Phase
  • Delay
  • Tone
  • Reverb
  • Atmos
  • Wavefold
  • Ring
  • Comb
  • Pump
  • Param EQ
  • MM Filter
  • Comp
  • Crush
  • Folder
  • Granular
  • Spectral
  • Transient
  • Resonate

Drive · Mod · Space · Tone · Character · Dynamics · Filter · Lo-Fi · Texture · Resonance

The FX catalog menu listing all twenty-one modules by category
FX MASTER strip with master wet and output, SUN engine controls, motion, randomizer buttons and gravity mode

FX MASTER: FX ON, WET and OUTPUT · SUN engine with SUN MIX, SUN CHAR, MORPH, LISTEN and RUSH · ORBIT TIME and STEREO MOTION · randomizer · gravity mode. PUMP lights when it ducks.

Interactive

Feel the orbital system

A visual sketch of the idea at the core of ATENVAR — six orbs, one sun, a well. Drag the controls and watch the field respond. In the instrument, every orb is a modulation source.

Visual demonstration only — no audio

Orbit Controls

50
35
60
55

In the full instrument, every orb drives any parameter in the modulation matrix and every FX module.

In Action

Watch ATENVAR work

Orbital EngineOrbs in motion, bending sound in real time.
SequencerPattern-driven motion and evolving sequences.
DnB FX WorkoutThe FX rack pushed hard on a drum & bass patch.

Listen

Audio demos

Raw output from ATENVAR — no external processing. One demo plays at a time.

Drum & Bass--:--
Reese, neuro and roller basses
Bass--:--
Sub-heavy, mono-tight low end
Leads--:--
Super saw unison and formant leads
Pads--:--
Wide orbital pads and atmospheres
Sequences--:--
Step sequencer and acid arp
Sampler--:--
Tempo-locked breaks through GRAIN, VOCODE and S1000
Gravity--:--
Black Hole, Singularity and SUN DIST sweeps
Dark & Cinematic--:--
Drones, textures and transitions

Presets

1,103 sounds, sixteen banks

A browser with categories, tag filters, favourites, recent and instant search. Every factory sound was voiced on the orbital system — they move.

Factory library

  • 01 Drum & Bass 84
  • 02 House 68
  • 03 Garage 68
  • 04 Jungle & Breaks 56
  • 05 Techno & Rave 60
  • 06 Bass 80
  • 07 Leads 60
  • 08 Keys & Chords 60
  • 09 Plucks & Stabs 60
  • 10 Pads & Atmospheres 80
  • 11 Sequences & Arps 56
  • 12 FX & Transitions 60
  • 13 Dark & Cinematic 56
  • 14 Gravity & Experimental 68
  • 15 User Presets 84
  • 16 Drum & Bass Sequencers 103

Tags: BASS · LEAD · PAD · PLUCK · KEYS · SEQ · FX · DARK

Latest build

What's new in this release

Sampler tempo lock

Loops lock to the host tempo, follow tempo changes, and stay in time on every key. Right-click LOCK to set bars or beats by hand.

GRAIN · VOCODE · S1000

Three warp engines for locked samples: phase-aligned granular, a phase vocoder, and the classic fixed-cycle stretch.

FIT and auto-fit

A stretch on a locked sample fits back to its bars inside the same edit — one undo. FIT does it on demand.

LOAD and drag & drop

Drop audio straight onto the sample editor; a LOAD button sits beside UNDO. Loaded samples start in CLEAN.

SUN DIST heat macro

Warm lift, analogue grit, bright drive, solar flare — one knob on the sun, bypassed at zero.

Seven-cell GLOBAL grid

Sources, lanes and DIST knobs share one grid: SUN then O1–O6, with each orb's controls in its own column.

Lights that mean something

PUMP pulses with its duck, ORB ARP and FEED light when active, and the FX-rack PUMP shows its depth.

Clean transitions

Quality tiers latch per note, limiters glide, the CPU governor no longer oscillates, and the FX gate crossfades — no clicks under load.

DAW tempo behind the waveform

The host BPM sits large behind the sample; slice numbers stay readable at every zoom; the mod wheel does vibrato until you route it.

Questions

FAQ

How much does ATENVAR cost?

ATENVAR is £99. During the launch period, code LAUNCH40 takes 40% off at checkout.

How do I use the launch discount?

Click Buy Now, then enter LAUNCH40 in the discount field on the Lemon Squeezy checkout page before paying.

Which plugin formats are supported?

VST3, Audio Unit (AU) and a standalone app on macOS. A Windows VST3 build is in testing. Pro Tools (AAX) is not supported.

What are the system requirements?

A Mac with an Apple Silicon chip (M1 or later) running macOS 12 or newer. Intel Macs are not supported. ATENVAR has ECO, BAL and LUX quality tiers plus a PERF panel, so it runs comfortably on a base M1.

How many presets are included?

1,103 factory presets across sixteen banks — from Drum & Bass, House and Garage to Pads, Dark & Cinematic and Gravity & Experimental — plus over a hundred sequencer patches. Your own sounds save to ~/Documents/ATENVAR Presets/User.

Does the sampler work with my own loops?

Yes — drop any WAV or AIFF onto the sample editor. It locks to your DAW tempo, follows tempo changes, and plays in time on every key. Choose GRAIN, VOCODE or S1000 for the stretch character.

How is ATENVAR delivered and activated?

Checkout and delivery are handled by Lemon Squeezy. After purchase you receive a download link and a serial by email; paste the serial when ATENVAR first opens.

How many machines can I activate?

To be confirmed before release.

Is there a demo or trial version?

To be confirmed before release.

What is the refund policy?

See the refund policy for full details, or contact admin@icarengine.com.

How do I get support?

Email admin@icarengine.com — or start with the documentation, which covers installation, activation and troubleshooting.

Get ATENVAR

Own the gravity synth

£99 one-time purchase
40% off at launch with LAUNCH40

Secure checkout via Lemon Squeezy · VST3 · AU · Standalone · macOS Apple Silicon

Payments, downloads and serials are handled by our merchant of record, Lemon Squeezy. Questions? admin@icarengine.com